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[1] His other Broadway credits include Mike Downstairs (1968), A Thousand Clowns (1962), Fragile Fox (1954), The Number (1951), Dead End (1935), Waiting for Lefty (1935), Till the Day I Die (1935), and Panic (1935).[7]. We'll help you find the right words to comfort your family member or loved one during this difficult time. Drumming Dane Clark Dane Clark - IMDb Death Records - Death Records Search Online By Name "We are very saddened by the loss of our colleague and friend, Dane Clark", Torgeson Electric announced. You may not upload any more photos to this memorial, This photo was not uploaded because this memorial already has 20 photos, This photo was not uploaded because you have already uploaded 5 photos to this memorial, This photo was not uploaded because this memorial already has 30 photos, This photo was not uploaded because you have already uploaded 15 photos to this memorial. [1], Modeling brought him in contact with people in the arts. When he had trouble finding work in the mid-1930s he tried boxing, baseball, construction, sales and modeling, among other jobs. Late in that decade his wife of many years, Margot Yoder, died, and in 1972 he married a young stockbroker, Geraldine Frank. His pugnacious rebels created less empathy than Garfield's and sometimes (as in his overdrawn anarchic painter of A Stolen Life) upset a film's balance in their ferocity. His stage work in the early 1930s included a stint with New Yorks celebrated Group Theatre, and he was in the original cast of Clifford Odets Waiting for Lefty.. The comic was married four times, had a bitter split with third wife. Born Bernard Zanville in 1913 in Brooklyn, New York, he was a fine athlete and was given the opportunity to become a baseball player, but chose higher education instead. Cloudflare Ray ID: 7c071bc2b9249c5b An anti-capitalist blank-verse tragedy that attempted to account for the national bank calamity of 1933 in terms of Greek drama, it is considered an important part of theatrical history for several reasons - it was the first play by the poet Archibald MacLeish, it starred the 19-year-old Orson Welles, its producers included John Houseman and Virgil Thomson, and the Greek-style chorus was choreographed by Martha Graham.